Magdalena Abakanowicz’s work is now on view in NMWA’s New York Avenue Sculpture Project!
At a celebration on September 30, curator and scholar Mary Jane Jacob, a renowned authority on the artist, gave a special lecture on Abakanowicz, including her body of work and her sculptures on view on New York Avenue. These pieces, including Walking Figures and abstracted birds in flight, represent some of the artist’s most iconic work.
During Jacob’s talk, she discussed Abakanowicz’s life story, particularly her youth and artistic training in Poland and her experiences during the Second World War. Jacob believes that “the past is palpably present” through the artist’s work. She talked about Agora, a large public installation in Chicago’s Grant Park that, like the Walking Figures on New York Avenue, features a group of larger-than-life, armless and headless human figures.
Through this motif in her work, Jacob said, Abakanowicz shows that “Art is able to be a means of building links between distant societies” despite differences, due to commonalities and collective memory.
Jacob also described the artist’s abiding interest in nature: “Restoring nature became a theme for Magdalena Abakanowicz. She grew up in nature, and she understood that in war we not only kill others, but we kill the earth. She’s always been drawn to nature.”
Abakanowicz is especially inspired by unrepeatability in nature—encountering a swarm of mosquitos, for example, the artist was fascinated by the conspicuous individual characteristics among them. Jacob said, “Among her most powerful works are her soaring birds, which take us back to nature, and to a way of thinking not just about how we exist within this natural form, but how natural form itself has amazing variety.”
—Elizabeth Lynch is the editor at the National Museum of Women in the Arts.