The fourth installment of NMWA’s biennial exhibition series, Organic Matters—Women to Watch 2015 is presented by the museum and participating national and international outreach committees. The exhibition’s artists redefine the relationship between women, art, and nature. Associate Curator Virginia Treanor spoke with emerging and contemporary women artists featured in Organic Matters.
1. Organic Matters includes art that refers or responds to the natural world. How do you think your work Patterns of Nature relates to the theme of nature?
My work is inspired from ecosystem research, how things grow and survive within specific dynamics. Patterns are seen both formally and behaviorally.
2. Is this work representative of your oeuvre? How does it fit into your larger body of work?
This piece is new work; a new series working from the floor yet connects to the history of my work through ecosystem research. In this case, I have researched rock outcroppings and forest floor as well as botanical motifs in Persian rugs.
3. As an artist, what is your most essential tool? Why?
A bucket. Everything is mixed with water, whether clay or fiber, and collected there again after being prepared waiting to be manipulated and used.
4. Who or what are your sources of inspiration and/or influence?
I look at both folk art and contemporary works by trained artists as well as aspects of nature.
5. What’s the last exhibition you saw that you had a strong reaction to?
A solo show of Eva Hild in Chelsea—forms were sensual and masterfully gripping.