5 Fast Facts: Jaune Quick-to-See Smith

Impress your friends with five fast facts about artist Jaune Quick-to-See Smith (b.1940), whose work Indian, Indio, Indigenous (1992) is on view in NMWA’s newly reinstalled collection galleries.

1. Cultural Arts Worker

Smith describes herself as a “cultural arts worker” and uses her art to raise awareness of the maltreatment of the Native American community, both historically and today. She uses a combination of traditional tribal motifs and contemporary symbols to call attention to issues regarding human rights, consumerism, and the environment.

A large-scale collage including striped and polka-dotted fabrics; the masthead of Smith's reservation newspaper, Char-Koosta; parts of a U.S. map; and a comic strip. These collaged elements are juxtaposed with blocks of stained or roughly brushed and dripped paint.

Jaune Quick-to-See Smith, Indian, Indio, Indigenous, 1992; Oil and collage on canvas, 60 x 100 in.; National Museum of Women in the Arts, Museum purchase: Members’ Acquisition Fund; © Jaune Quick-to-See Smith

2. Power in Numbers

Since the 1970s, Smith has curated exhibitions highlighting Native women artists to counteract art world gender imbalance. She recalled that “one woman… laid [an exhibition] catalog against her cheek and cried, she had no idea there were so many Native women artists out there and she no longer felt alone.”

A painted image of a bird with some stick figure faces drawn in the background, the words "Batteries Not Included" are typewritten vertically on the left side. The colors are terracotta neutrals -- brown, tan, red, and orange, with a bit of blue on the bird.

Jaune Quick-to-See Smith, Four Directions, 1994; Lithograph with linocut collage, 48 1/4 x 34 x 1 1/2 in.; National Museum of Women in the Arts, Gift of Anastasia Pfarr; © Jaune Quick-to-See Smith

3. Going Green

Smith has described her work as “Nomad Art,” which embodies the ideals of Nomadic life: take only what you need from the earth and respect the materials that you use. Many of her artworks include biodegradable materials like rice glue, charcoal, and rag paper.

4. Horse Power

Horses are a common motif in Smith’s works. This imagery was influenced by her father’s role as a horse trader and rodeo rider in the Pacific Northwest and California. Horses run through Smith’s works such as Trick Rider (1999) and War Horse in Babylon (2005).

5. Pioneering Change

As one of the first Native women to be recognized as a renowned modern and contemporary artist, Smith has stated that “[Her] generation is the first to break the ‘buckskin ceiling.’”

—Erin Allen is the winter/spring 2019 education intern at the National Museum of Women in the Arts.