5 Fast Facts: Yael Bartana’s “What if Women Ruled the World”

Impress your friends with five fast facts about What if Women Ruled the World (2016) by Yael Bartana (b. 1970, Kfar Yehezkel, Israel), on display in the third-floor galleries.

1. New Neon

NMWA acquired the neon sculpture What if Women Ruled the World (2016) by Israeli artist Yael Bartana in 2017, in celebration of the museum’s 30th anniversary.

Yael Bartana, What if Women Ruled the World, 2016; Neon, 98 1/2 x 38 1/2 in.; National Museum of Women in the Arts, Museum purchase, Belinda de Gaudemar Acquisition Fund, with additional support from the Members’ Acquisition Fund; © Yael Bartana; Photo by Lee Stalsworth

Yael Bartana, What if Women Ruled the World, 2016; Neon, 98 1/2 x 38 1/2 in.; NMWA, Museum purchase, Belinda de Gaudemar Acquisition Fund, with additional support from the Members’ Acquisition Fund; © Yael Bartana; Photo by Lee Stalsworth

2. Multimedia Maven

Bartana is known for her films, installations, and photography. Her complex, multimedia pieces often address and question the ceremonies and rituals that affirm national identity. Her work demands reflection on the ways in which countries develop and sustain dominant narratives.

3. Turning the Tables

Inspired by Stanley Kubrick’s 1964 film Dr. Strangelove, in which a select group of powerful white men assemble to discuss nuclear war and unilaterally determine the fate of the human race, Bartana’s What if Women Ruled the World both proposes and proclaims a peaceful alternative.

4. Women Rule

Approximately 10% of United Nation member countries are led by women. To learn more about trailblazers and current women leaders, check out this Al Jazeera interactive and Pew Research Center 2017 study findings.

5. “Year of the Woman”

The United States House and Senate midterm elections, on November 6, 2018, could bring about a tidal wave of change: 260 women are on the ballot. Inform yourself and vote! Check out this Vice video and the Rutgers Center for American Women and Politics “2018 Summary of Women Candidates” report.

—Adrienne L. Gayoso is the senior educator at the National Museum of Women in the Arts.

 

Art Fix Friday: November 2, 2018

NMWA Assistant Curator Orin Zahra contributed to an Art and Object feature on Impressionist Marie Bracquemond.

Researcher Sarah Bochicchio points out that while female Impressionists Mary Cassatt and Berthe Morisot have had major solo shows in 2018, Bracquemond continues to remain relatively unknown. The article sheds needed light on this under-recognized member of the “three great ladies of Impressionism.”

Front-Page Femmes

German Chancellor Angela Merkel has urged her country to “improve the standing of women in the arts [by ensuring] balanced award-giving juries and grant bodies.”

Researchers at Indiana University Bloomington are creating a comprehensive online database of female artists active in the U.S. and Europe from the 15th to 19th centuries.

Though only three are women, the four-person curatorial team for the 2020 Berlin Biennale has stated, “we identify as female because we feel the rule of everything by overconfident-macho voices must end.”

Hilma af Klint, Group X, No. 1, Altarpiece (Grupp X, nr 1, Altarbild), 1915; from Altarpieces (Altarbilder); Oil and metal leaf on canvas, 237.5 x 179.5 cm; The Hilma af Klint Foundation, Stockholm; Photo by Albin Dahlström, the Moderna Museet, Stockholm

Hilma af Klint, Group X, No. 1, Altarpiece, 1915; On view at the Guggenheim Museum

Priscilla Frank of The Huffington Post  discusses the sometimes troubling associations drawn between female creativity and the occult. In her investigation, she examines Amazon’s recent remake of the 1977 horror film Suspiria and Hilma af Klint’s current Guggenheim retrospective Paintings for the Future.

German video artist Hito Steyerl wins the 2019 Käthe Kollwitz Prize.

Mickalene Thomas discusses the way photography became the “center of her practice” at a luncheon honoring the accomplishments of women in film and photography.

Nan Goldin and Catherine Opie are among several artists selling signed prints in a five-day sale organized by Magnum Photos. Proceeds from Goldin’s sales will go to her activist group P.A.I.N. (Prescription Addiction Intervention Now).

BAMcinématek in Brooklyn is presenting a film series highlighting the “overlooked work of women in the domestic space.”

Shows We Want to See

Betye Saar, Extreme Times Call for Extreme Heroines, 2017, Mixed media and wood figure on vintage washboard, clock, Courtesy of the artist and Roberts Projects, Los Angeles, California

Betye Saar, Extreme Times Call for Extreme Heroines, 2017; On view at the New-York Historical Society

Betye Saar: Keepin’ It Clean goes on view at the New-York Historical Society today. The 92-year-old black feminist icon hopes the exhibition will convince America to “clean up its act” regarding politics and actions.

The Guardian profiles a new exhibition on view at England’s Nottingham Contemporary. Still I Rise: Feminisms, Gender, Resistance features 40 women and non-binary artists whose work examines the ways in which women combat oppression. In an effort to present a fresh perspective on the topic, the curators of the show have “ditched typical exhibiting systems and hierarchies to allow feminist and intersectional queer thought to direct everything from the ground up.”

Patricia Cronin, Aphrodite, and the Lure of Antiquity reimagines classical mythology through a distinctly feminist lens. Part of the Tampa Museum of Art’s Conversations with the Collection series, the show is based around artist Patricia Cronin’s encounters with museum’s holdings of ancient Aphrodite imagery. The result is an exhibition that “erases the bias of the original myth and replaces it with an icon absolutely appropriate for contemporary women.”

—Becca Gross is the fall 2018 publications and marketing/communications intern at the National Museum of Women in the Arts.

Writing and Righting History: 2018 Wikipedia Edit-a-thon

For the fifth year, Art+Feminism led the global initiative to improve the Wikipedia representation of women artists and to train women editors. NMWA’s Betty Boyd Dettre Library and Research Center participates by hosting a Wikipedia Edit-a-thon at the museum every year. In honor of Women’s History Month, 28 volunteer editors gathered at the museum on March 17. After four hours (and three boxes of coffee), edit-a-thon participants created eight new Wikipedia articles and improved 72 existing entries.

2018 Art+Feminism Wikipedia Edit-a-thon at NMWA; Photo: Traci Christensen, NMWA

Why does this effort matter?

Wikipedia is the largest and most popular general reference on the internet. A 2010 Wikimedia survey found that fewer than 13% of the platform’s contributors are women. The lack of female participation has contributed to the absence of notable women on the platform.

What was lacking?

This year, NMWA focused on entries concerning women art museum directors and gallerists—a theme closely related to the month’s Fresh Talk, a public program discussing gender parity in museums. Many leaders, scholars, and tastemakers of the modern art world, including Fresh Talk speakers Frances Morris, director of the Tate Modern, and Laurence des Cars, director of the Musée d’Orsay, work to raise the visibility of women artists in their institutions.

Wikipedia has a category page titled Museum Directors, where men—unsurprisingly—drastically outnumber women. The page links to a substantially longer list of women on the page for Female Art Museum Directors. Most of the listed directors did not have links for their names, indicating that they did not have their own Wikipedia pages—even though many did. The list also sorely lacked citations to demonstrate notability, and the article had been flagged as a result. Many of these women leaders of arts institutions had sparse pages on Wikipedia or no article at all.

What did volunteers do at NMWA?

Volunteers created pages, added images, and corrected or expanded on existing content. Former Smithsonian African Art Museum Director Johnetta Cole’s article now reflects her retirement last year. Editors added details to the page of influential gallerist Marian Goodman and expanded content on Thelma Golden’s success as director of the Studio Museum in Harlem. Whitechapel Art Gallery Director Iwona Blazwick’s info box now contains a permissible photograph.

2018 Art+Feminism Wikipedia Edit-a-thon at NMWA; Photo: Traci Christensen, NMWA

Over laptops at shared tables, attendees discussed their contributions, offered each other help, and worked through their new skills together. Experienced Wikipedians were generous with their knowledge, and one attendee gave an impromptu lesson on making pages accessible to the visually impaired. A team from the BBC even stopped by to film volunteers.

Museum staff members enjoy the immediate gratification of seeing editors at work, contributions go live, and new volunteers energized to continue this work on their own. Hopefully, edit-a-thons like this will spur an ongoing effort to legitimize women’s work with reliable sources.

—Sarah Osborne Bender is the director of the Betty Boyd Dettre Library and Research Center (LRC) and Emily Sawyer is the spring 2018 LRC intern at the National Museum of Women in the Arts.

Can You Name #5WomenArtists?

Can you name five women artists? Did your response include any women artists of color? Women artists, especially women of color, remain dramatically underrepresented and undervalued in museums, galleries, and auction houses. This March, for Women’s History Month, the National Museum of Women in the Arts is relaunching our award-winning social media campaign asking, “Can you name five women artists?”

NMWA began the #5WomenArtists campaign in March 2016. It elicited shock, provided a challenge, and sparked conversation about gender parity in the arts. During March 2017, more than 520 national and international cultural institutions and nearly 11,000 individuals joined the campaign to promote women artists in all 50 states and on seven continents.

NMWA Director Susan Fisher Sterling says, “There is no better time than now to raise awareness that the art world also disadvantages women’s opportunities and advancement, with women artists of color experiencing a double disadvantage in an already challenging field.”

Join NMWA and other institutions, including the National Gallery of Art, Tate, and Smithsonian Museum of African American History and Culture to share stories of women artists using the hashtag #5WomenArtists.

Here’s how you can get started:

Learn more about women artists through NMWA’s artist profiles

To kick off the month, learn more about five women artists featured in the museum’s programs, exhibitions, and collection:

For more than eight decades, Maria Martinez (1887–1980, San Ildefonso Pueblo, New Mexico) continued and extended the centuries-old pottery traditions of San Ildefonso Pueblo.

Georgia Mills Jessup (1926–2016, Washington, D.C.) demonstrated diverse talent as a painter, sculptor, ceramicist, muralist, and collage artist.

Contemporary painter Li Shurui (b. 1981, Chongqing, China) uses an airbrush to add vibrant color to canvas to approximate the appearance of LED lighting popular in nightclubs and city settings.

Tanya Habjouqa (b. 1975, Amman, Jordan) is one of the founding members of the Rawiya photography collective and documents everyday life and social issues in the Middle East.

Graciela Iturbide’s (b. 1942, Mexico City, Mexico) photographs reveal the daily lives, customs, and rituals of Mexico’s underrepresented native cultures.

Want to help advocate for women artists? Starting March 1, take the challenge and post about #5WomenArtists on Instagram, Twitter, and Facebook, and tag us @WomenInTheArts. Follow along with the month’s highlights on NMWA’s Women’s History Month webpage.

Emily Haight is the digital editorial associate at the National Museum of Women in the Arts.

Art Fix Friday: June 16, 2017

This year’s edition of Art Basel, Switzerland, opened on Thursday, June 15.

Art Basel features work by the Guerrilla Girls (left) and Claudia Comte (right)

Art Basel features work by the Guerrilla Girls (left) and Claudia Comte (right)

The art fair showcases posters by the Guerrilla Girls, a video installation by Cécile B. Evans with a Brutalist viewing booth, film programming by Maxa Zoller, and a “fun fair” installation by Claudia Comte, who says, “we are all taking ourselves too seriously.”

Front-Page Femmes

The National Museum of Women in the Arts made the news this week with a $9 million bequest from benefactor Madeleine Rast.

The film Wonder Woman smashed records, becoming the biggest-ever domestic opening for a woman director ever.

Pulitzer Prize-winning poet Tracy K. Smith was named the poet laureate of the United States by Librarian of Congress Carla Hayden.

Indian artist Astha Butail has been selected as the next BMW Art Journey winner with her project In the Absence of Writing.

Ramsay art prize winner Sarah Contos “boldly claims space on the gallery wall for female Australian artists.”

After nearly 300 years, Royal Collection Trust’s conservators discovered a lucky token hidden by Venetian artist Rosalba Carriera in the frame of one of her pastel works.

Cornelia Parker discusses her role as the first woman and conceptual artist to be chosen for the role of U.K.’s official election artist.

Coco Picard’s The Chronicles of Fortune is a story about learning how to grapple with the role of death in life.

Art collector and patron Agnes Gund sells Roy Lichtenstein’s Masterpiece for $150 million to create a fund “that supports criminal justice reform and seeks to reduce mass incarceration in the United States.”

AIGA presents 5 powerful projects designed by and for women to address the cultural stigma behind abortion.

Jenny Holzer’s new works “put unexpected things into unlikely places” to address tensions and inequality in contemporary society.

Merrill Wagner uses tape and Plexiglas to craft “measured, stark, ravishing” work.

Two-time Turner Prize nominee and Royal Academy member Alison Wilding discusses her most recent exhibition.

An Atlantic review of Anne Helen Petersen’s new book Too Fat, Too Slutty, Too Loud: The Rise and Reign of the Unruly Woman explores contemporary culture, which “claims to celebrate women but often, politically and culturally, puts them in a bind.”

Susan Silton stages an all-woman production of Olivier Messiaen’s “Quartet for the End of Time.”

Yoko Ono—after 46 years—is credited as co-writer of the song “Imagine.”

Shows We Want to See

Writer Zadie Smith profiles British-Ghanaian artist Yiadom-Boakye in honor of her recent exhibition at New York’s New Museum, Under-Song for a Cipher.

Lenka Clayton is “highly attuned to the rhythms of everyday life” in the exhibition Object Temporarily Removed at the Fabric Workshop and Museum, Philadelphia.

Araya Rasdjarmrearnsook’s Jaonua: The Nothingness, a five-channel video installation, is on view through July 28 at Tyler Rollins Fine Art, New York City.

Tate Modern prepares to exhibit work by the trailblazing Turkish artist Fahrelnissa Zeid.

A new survey of paintings by Lisa Yuskavage is on view at David Zwirner gallery, London.

—Emily Haight is the digital editorial assistant and Elizabeth Lynch is the editor at the National Museum of Women in the Arts.

Superwomen Assemble: Meet the Women Saving Comics

“Images play a crucial role in defining and controlling the political and social power to which individuals and marginalized groups have access,” stated filmmaker Pratibha Parmar. “The deeply ideological nature of imagery determines not only how other people think about us but how we think about ourselves.”

Ashley A Woods’s artwork for NIOBE: She is Life

Ashley A. Woods’s artwork for NIOBE: She is Life

FRESH TALK: Who are the new superwomen of the universe? on June 14 will show how comics, in particular, can highlight what a society values through the heroes they revere. The imagery surrounding heroes often reveals ingrained notions and perceptions of people. In the comics landscape, hulking, white male characters are often the ideals—if not the standards—for heroism. Often the imagery surrounding women, people of color, and other marginalized groups skews towards abusive imaginings or stereotypes. Recently, however, more people within the comics community are making strides to subvert that trend.

Meet the women changing the universe of comics at the final Fresh Talk program of the Women, Arts, and Social Change 2016–17 season. Guest speakers include ComicMix.com columnist Emily S. Whitten as the moderator and Carolyn Cocca, author of Superwomen: Gender, Power, and Representation. Young Adult author Gabby Rivera will discuss her role writing for the queer Latina superheroine of the Marvel universe, America Chavez. Fresh Talk also features Ariell Johnson, the first black woman to open a comic book shop on the East Coast. “There are a lot of black girl geeks in the world but we are not at the forefront,” noted Johnson. “This store is also kind of a statement—we’re here, we’ve been here and we’re going to keep being here.”

Ashley A Woods’s artwork for NIOBE: She is Life

Ashley A. Woods’s artwork for NIOBE: She is Life

Illustrator Ashley A. Woods will share her experiences drawing for the series NIOBE: She is Life, the first internationally distributed comic with a black woman author, artist, and central character. Woods imbues renderings of Niobe, the title character of the series, with an earthly quality that enhances her supernatural features, while not obscuring her humanity. The series, charting the adventures of the fantastical half-elf, half human warrior, explores issues ranging from racism to religion. Woods’s artwork for the series provides long overdue proof that black women in fantasy comics are not out of place. If anything, they are powerful voices that need to be heard.

Save your spot for Fresh Talk on June 14 to meet the new wave of superheroines entering the comic universe, leading the fight for justice and dispelling traditional stereotypes. Follow the conversation through #FreshTalk4Change.

—Kimberly Colbert is a summer 2017 intern in the Betty Boyd Dettre Library and Research Center at the National Museum of Women in the Arts.

#5WomenArtists Goes Global

In honor of Women’s History Month, the museum launched the second year of its award-winning #5WomenArtists social media campaign, which asks, “Can you name five women artists?” The museum invited cultural organizations and individuals to share stories about women artists on social media throughout the month. The campaign inspired a discussion about gender imbalance in the art world in the U.S. and internationally—to great success! Check out a few highlights of the campaign:

One staff member dressed as Frida Kahlo brought the challenge to Washington, D.C. streets.

Overall, the month was filled with consciousness-raising digital initiatives. Forty-four participants edited 83 Wikipedia articles about women artists in the fifth annual Wikipedia edit-a-thon hosted at the museum. Part of the Art+Feminism initiative, edit-a-thon participants used the museum’s resources to improve entries about women artists. NMWA offered a daily scavenger hunt in the museum and hosted a before-hours InstaMeet for local photographers to explore and snap photos of the museum’s newly reinstalled collection galleries. NMWA staff shared their favorite works by women for International Women’s Day.

The museum also “took over” other institutions’ social media accounts to share the stories of women artists with a broader digital community, including sharing nature-themed works from @BalboaPark’s Instagram, collection highlights from the Brightest Young Things accounts, and the museum’s mission and history from the @52museums handle. NMWA’s collection works also anchored the all-women #ArtMadness “bracket,” the Albright-Knox Gallery’s NCAA March Madness-themed competition.

#5womenartists posts on Instagram

#5womenartists posts on Instagram

Many organizations included #5WomenArtists in their own Women’s History Month programming. The Halsey Institute of Contemporary Art invited five women artists to speak about their experiences and the Royal British Columbia Museum hosted a museum happy hour event highlighting contemporary First Nations artists. Manor View Elementary School even created a bulletin board dedicated to the campaign. Individual participants reflected on the campaign, including one tweet stating, “#5WomenArtists has been one of the more influential hashtags for me. I knew at least five when I first saw it, but can name many more now!” Another Twitter user said, “The #5WomenArtists challenge is one of my favorite times of the #MuseSocial year! Thanks, @WomenInTheArts.” The challenge also inspired other hashtags, including #5WomenScientists and #5ArtistasMujeres.

Explore campaign highlights on the museum’s Women’s History Month web page. Continue to advocate on behalf of women artists and celebrate their accomplishments all year. Every month is Women’s History Month at the museum!

—Emily Haight is the digital editorial assistant at the National Museum of Women in the Arts.

Down to a Science: #5WomenArtists Spark #5WomenScientists

For Women’s History Month, NMWA posed the question, “Can you name five women artists?” While social media users shared stories of women artists with #5WomenArtists, other science museums and cultural institutions expanded the challenge by posting content about #5WomenScientists.

Maria Merian, Plate 9 (from "Dissertation in Insect Generations and Metamorphosis in Surinam", second edition), 1719; Hand-colored engraving on paper, 20 1/4 x 14 1/2 in.; National Museum of Women in the Arts, Gift of Wallace and Wilhelmina Holladay

Maria Merian, Plate 9 (from “Dissertation in Insect Generations and Metamorphosis in Surinam,” second edition), 1719; Hand-colored engraving on paper, 20 1/4 x 14 1/2 in.; National Museum of Women in the Arts, Gift of Wallace and Wilhelmina Holladay

Art and science are two fields which seamlessly overlap. Both encourage close observation, experimentation, and innovation. Women are often overlooked and underrepresented in both fields. NMWA features a collection of works by women artist-scientists.

Because of their purported keen powers of observation, women artists historically were encouraged to render the natural world. After studying dried specimens of plants and animals that were popular with European collectors, botanical illustrator Maria Sibylla Merian (1647–1717) decided to study them in their natural habitats. At the age of 52, Merian and her younger daughter embarked on a dangerous trip, without a male chaperone, to the Dutch colony of Surinam in South America. She spent two years studying indigenous flora and fauna. Her book, the lavishly illustrated Insects of Surinam, was published in 1705 and established Merian’s international reputation.

As tools for observation became more advanced, photography emerged as a new medium to explore, record, and interpret nature. Molecular biologist-turned-photographer Amy Lamb (b. 1944) continues the tradition of women artist-scientists by producing large-scale “portraits” of plants. For Lamb, observation is a vital part of her creative process. She grows most of the plants that she photographs, which allows her to become intimately familiar with their life cycles. Studying plant maturation repeatedly helps her anticipate when to have the camera ready.

Amy Lamb, “Magnolia,” 1998, Iris print, 13 1/4 in x 20 1/8 in; National Museum of Women in the Arts, Gift of Steven Scott, Baltimore, Maryland, in honor of the artist, ©1998 Amy Lamb, all rights reserved

Amy Lamb, Magnolia, 1998, Iris print, 13 1/4 in x 20 1/8 in; National Museum of Women in the Arts, Gift of Steven Scott, Baltimore, Maryland, in honor of the artist, ©1998 Amy Lamb, all rights reserved

The influence of science is a common thread in NMWA’s collection. Floral still-life paintings by Rachel Ruysch (1664–1750), cliché-verre prints by Maggie Foskett (1919–2014), and etchings by Monika E. de Vries Gohlke (b. 1940) engage with science and nature. Angela Strassheim (b. 1969), trained in forensic photography, lends a scientific eye to her oeuvre, while Michal Rovner (b. 1957) simulates the feeling of a laboratory through a video work involving petri dishes.

Continue exploring the stories of women artist-scientists. Browse a selection of #5WomenScientists posts from institutions ranging from the Field Museum, to the Biodiversity Heritage Library, the Franklin Institute, and the Science Museum, London.

—Madeline Barnes is the winter/spring 2017 digital engagement intern at the National Museum of Women in the Arts.

Challenge Accepted: Can You Name Five Women Artists?

Ask someone to name five artists and responses will likely include names such as Warhol, Picasso, van Gogh, Monet, da Vinci—all male artists. Ask someone to name five women artists, and the question poses more of a challenge.

Back by popular demand this March, the National Museum of Women in the Arts continues to ask, “Can you name five women artists?” This simple question calls attention to the inequity women artists face, inspires conversation, and brings awareness to a larger audience. Last year, the campaign struck a chord, and tens of thousands of posts were shared on social media. This year, more than 200 institutions from 50 states, 22 countries, and seven continents have already signed on to participate.

Join us throughout the month to share stories of women artists using the hashtag #5WomenArtists on Facebook, Twitter, and Instagram.

Here are some ideas to get you started:

  1. Challenge your family and friends.
  2. Share posts about your favorite women artists.
  3. Share a work by a woman artist at a museum or gallery near you.
  4. Explore NMWA’s artist profiles to discover artists you may not know.
  5. Get the facts about art world inequality and track campaign updates all month long.

To kick off the month, learn more about five influential women artists from the museum’s collection who defied expectations:

Left to right: Lavinia Fontana, Portrait of a Noblewoman (ca. 1580) and Maria Martinez and Julian Martinez, Jar (ca. 1939); NMWA; Gift of Wallace and Wilhelmina Holladay

Left to right: Lavinia Fontana, Portrait of a Noblewoman, ca. 1580 and Maria Martinez and Julian Martinez, Jar, ca. 1939; NMWA; Gift of Wallace and Wilhelmina Holladay

Renaissance painter Lavinia Fontana (1552–1614) is regarded as the first professional woman artist. For 20 years beginning in the 1580s, Fontana was the portraitist of choice among Bolognese noblewomen. Not only was Fontana the breadwinner of her family, she also gave birth to 11 children.

For more than eight decades, Maria Martinez (1887–1980) revived and continued the centuries-old black-on-black pottery traditions of San Ildefonso Pueblo in northern New Mexico. Through her creative vision and skill, Martinez influenced generations of artists.

Left to right: Clementine Hunter, Untitled, 1981; NMWA, Gift of Evelyn M. Shambaugh; Lola Álvarez Bravo, De generación en generación, ca. 1950; NMWA, Gift of the Artist; © 1995 University of Arizona Foundation, Center for Creative Photography

Entirely self-taught and immensely prolific, Clementine Hunter (ca. 1887–1988) earned critical acclaim for vibrant paintings depicting life in the Cane River region of central Louisiana. Hunter did not start painting until the 1940s, when she was already a grandmother.

Lola Álvarez Bravo (1907–1993) was one of Mexico’s first professional women photographers, documenting daily life and portraying prominent world leaders. Like her friend Frida Kahlo, Álvarez Bravo celebrated the traditional costumes and customs of her country’s varied regions. She cannily blended nationalist content with the expression of universal human emotions.

Lee Krasner, The Springs, 1964; NMWA, Gift of Wallace and Wilhelmina Holladay; © 2012 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York

Lee Krasner (1908–1984) was one of the first generation of Abstract Expressionist painters. Through six decades devoted to art, she explored innovative approaches to painting and collage. Often overshadowed by her husband, Krasner declared, “I’m always going to be Mrs. Jackson Pollock . . . but I painted before Pollock, during Pollock, after Pollock.”

Want to help advocate for women in the arts? Starting March 1, take the challenge and post about #5WomenArtists on Instagram, Twitter, and Facebook, and tag us @WomenInTheArts.

Emily Haight is the digital editorial assistant at the National Museum of Women in the Arts.

March Madness: A Digital Dive into Women’s History Month

NMWA’s year-round mission is to address gender imbalance in the art world, but every March—Women’s History Month—the museum has an opportunity to catch the attention of a wider audience to celebrate women artists. This March, NMWA launched a social media campaign to raise awareness of women artists by asking, “Can you name five women artists?”

Narrow 5WomenArtists for press release

NMWA’s social media campaign for Women’s History Month

A huge community joined in!

  • Art museums, libraries, galleries, and art lovers from 20 countries answered by sharing and tagging their favorite women artists.
  • News outlets like the Huffington Post and the Atlantic helped spread the challenge.
  • More than 370 cultural organizations and 11,000 individuals joined the campaign to promote women artists.
  • More than 3,300 Instagram posts and more than 23,000 tweets used the hashtag #5womenartists.

During the campaign, NMWA’s number of digital followers increased by 140% on Instagram, 19% on Facebook, and 12% on Twitter. At least 60 individuals and cultural institutions wrote personal blog posts about the challenge, in English as well as Spanish, Italian, Turkish, and Estonian. NMWA’s blog post launching the campaign was read almost 2,000 times.

“We are delighted with the overwhelming response to the #5womenartists campaign,” said NMWA Director Susan Fisher Sterling. “By calling attention to the inequity women artists face today, the Women’s Museum is gratified to have inspired even more conversation and awareness than we anticipated. We thank all of the cultural organizations and social media users who joined us in this important initiative.”

Overall, March was filled with exciting digital endeavors to bolster the visibility of women artists. Thirty-five participants attended NMWA’s fourth annual Wikipedia-edit-a-thon, part of the Art + Feminism initiative to improve Wikipedia’s gender imbalance. Using the museum’s resources, contributors improved 20 existing articles and created new entries for Hungarian-born Mexican photographer Kati Horna, silversmith and jewelry designer Alma Eikerman, and drafted information for the Association of San Francisco Women Artists.

IMG_9693_edited_cropped

An #EmptyNMWA instameet participant snaps a photo of a painting by Elizabeth Adela Stanhope Forbes

For International Women’s Day on March 8, NMWA captured tweets and posts from people around the world celebrating #5womenartists. The museum also hosted a before-hours instameet for a group of 30 local photographers to tour, snap photos, and explore the museum’s galleries.

For each week of 2016, a different museum across the globe takes over the @52museums Instagram account. March 21–27, @womeninthearts brought stories about the museum and women artists to a broader digital public. To finish the month, the museum also participated in #MuseumWeek, the first worldwide cultural event on Twitter, and shared the building’s history, collection, exhibitions, and advocacy programs.

During the last week, nearly 5,000 people viewed the museum’s BuzzFeed quiz, which asked, “Which of these #5womenartists are you?” So, can you name #5womenartists? In a Twitter poll, 83% of NMWA followers said yes! Next year, we’re aiming for 100%.

Want to continue to advocate for women in the arts? Follow the museum on Twitter, Facebook, and Instagram. Visit the museum, become a member, and get involved in upcoming programs.

—Emily Haight is the digital editorial assistant at the National Museum of Women in the Arts.