Frightful & Delightful: Summer Exhibitions

We are excited to announce that NMWA’s summer exhibitions, Super Natural and Organic Matters—Women to Watch 2015, open tomorrow! Museum staff have been busy transforming the 2nd-floor galleries to display these flora-and-fauna-filled artworks by women.

NMWA exhibition team hang works while Patricia Piccinini’s Stags look on.

NMWA’s exhibition team hangs works while Patricia Piccinini’s Stags look on, Photograph: Laura Hoffman

Super Natural explores the works of both historical painters and naturalists alongside contemporary artists.

Historical works like Rachel Ruysch’s 17th-century still life are juxtaposed with contemporary works such as Sam Taylor-Johnson’s video of decaying fruit.

Upon walking into the galleries, the spotlit Stags, by Patricia Piccinini, compels viewers into the room to take a closer look at these sparring hybrid creatures.

One Super Natural gallery displays a variety of ingenious artists’ books together with Maria Sybilla Merian’s lavish illustrations of plants and insects. Not merely beautiful depictions of flowers, Merian’s prints portray insects’ life cycles, including a graphic depiction of a spider feasting on an ill-fated hummingbird. Super Natural subverts traditional notions of women as observers, showing them as inventive and risk-taking artists.

Gallery spaces are transformed for Super Natural

Gallery spaces are transformed for Super Natural, Photograph: Laura Hoffman

A plethora of photographs from Janaina Tschäpe’s “Little Deaths” series appears alongside Ana Mendieta’s “Volcano” series. Both artists’ work reflects their interest in manipulating scenes of nature with the human body.

NMWA’s committee-driven exhibition Organic Matters—Women to Watch 2015 features living artists working with the subject of nature. 

Organic Matters presents 13 emerging or underrepresented artists from the states and countries in which the museum has outreach committees. These artists redefine the relationship between women, art, and nature.

A recurring theme in Organic Matters is the emphasis on humankind’s effect on the environment. Goldschmied and Chiari’s photograph harkens back to Monet’s waterlillies, but presents garbage-made-pretty lilies floating in a stream. Drawings by Jennifer Celio portray an unsettling view of nature in the not-too-distant future. Mimi Kato’s digital landscape explores the presence of mankind within urban green spaces.

Organic Matters artist Dawn Holder lays out individual squares of porcelain grass in Monoculture; Right, Organic Matters artist Rebecca Hutchinson assembles her multimedia installation Patterns of Nature, Photographs: Laura Hoffman

Large floor-based sculptures by contemporary artists Dawn Holder and Rebecca Hutchinson command visitors’ attention in the center of each Organic Matters gallery. Both artists came to the museum for the installation process.

Super Natural and Organic Matters—Women to Watch 2015 are on view through September 13, 2015. Stop in for Free Community Day this Sunday and enjoy noon gallery talks every Wednesday!

—Emily Haight is the digital editorial assistant at the National Museum of Women in the Arts. 

Looking Forward: Women to Watch 2015—Organic Matters

NMWA is thrilled to host the fourth Women to Watch exhibition, Organic Matters, from June 5 to September 13, 2015. Developed in collaboration with the museum’s national and international outreach committees, the exhibition will feature work by emerging and underrepresented artists from communities across the country and the world. Committees collaborate with curators in their regions to choose a shortlist of artists, and then NMWA curators select one from each region, whose work will be shown at the museum.

Reto Thüring

Reto Thüring

We spoke with the Ohio Committee’s collaborating curator Reto Thüring, Associate Curator of Contemporary Art at the Cleveland Museum of Art, and the United Kingdom’s Lisa Le Feuvre, Head of Sculpture Studies at the Henry Moore Institute, to hear about the exhibition and its flora and fauna theme as well as their curatorial process. Stay tuned for more information about this inventive exhibition in the coming months.

What is the role of women artists in your community?
Reto Thüring:
Cleveland has a small, but very active and diverse, art scene with many women at the forefront of artistic innovation and community engagement.

Lisa Le Feuvre: The UK has so many strong female artists whose work is shown across museums, galleries, and project spaces. Stunning exhibitions in the U.K. of work by women right now include Phyllida Barlow at Tate Britain, Marine Hugonnier at the Baltic, Nasreen Mohamedi at Tate Liverpool, and at the Henry Moore Institute Gego and Lygia Clark.

How did your selection process work for Women to Watch?

Lisa Le Feuvre

Lisa Le Feuvre

LLF: We discussed many artists’ work. It was a real reflection of how many strong women artists there are in the U.K. We carefully thought through how each artist addressed the theme of flora and fauna and also how being selected for the award might stimulate new connections for the artists.

RT: I worked with Rose Bouthillier, the curator at MOCA Cleveland who has an extraordinary knowledge of the regional art scene. We first assembled a list of women artists from the region whose work we liked and that had something to do with the theme of this year’s exhibition. We then shortened the list down to six artists whose work we found particularly noteworthy and interesting. This process was very exciting. The discussions were enriching, having two perspectives and four eyes turned out to be a huge advantage for the selection process. I hope the discursive nature of our selection process is reflected in the diversity of the artists that we selected.

How did you work with the flora and fauna theme?
RT:
We tried to interpret the theme of flora and fauna as openly as possible but without becoming arbitrary. We agreed from the start that it was more important to nominate artists whose work we believe in than to match the theme in a too literal way.

LLF: The theme is one that is enduring. It was a very exciting prospect to think about how artists have addressed rather than represented this topic. I think our shortlist really shows this.

Installation of High Fiber—Women to Watch 2012

Installation of High Fiber—Women to Watch 2012

Do you have any final thoughts on the exhibition?
RT:
I enjoyed looking at Cleveland’s art scene from a specific angle, and through that I discovered artists whose work I did not know before. The theme provided a productive angle as it was neither too limiting nor too open. Given the richness and quality of artists and works that we discovered in our region alone, I imagine that the exhibition in Washington will be a great success and a wonderful opportunity to discover new artists.

LLF: Very simply, I can’t wait to see it!

—Ginny DeLacey is the development associate at the National Museum of Women in the Arts.